Gueswende yerbanga
LEH 355 H02W 50910
Assignment
DUE 2/15 Data Manifesto
"I shall be
reading poems that are meant to dispense with conventional language, no less,
and to have done with it. Dada Johann Fuchsgang Goethe. Dada Stendhal. Dada
Dalai Lama, Buddha, Bible, and Nietzsche. Dada m'dada. Dada mhm dada da. It's a
question of connections, and of loosening them up a bit to start with. I don't
want words that other people have invented. All the words are other people's
inventions. I want my own stuff, my own rhythm, and vowels and consonants too,
matching the rhythm and all my own. If this pulsation is seven yards long, I
want words for it that are seven yards long. Mr Schulz's words are only two and
a half centimetres long."
According to me, dada is
looking by this quote to bring creativity. Data want to create some new thing
that nobody never create and use it before. The author here wants to be
exceptional, create and use his own word, idea, and rules.
I choose this quote
because I think the author and the quote here were exceptional: create something new in the sense to avoid
plagiarism and to do not have to follow nobody rule. This quote also make me
thing about us: sometimes for our
assignment we do plagiarism by copying other people ideas. We do not use our
brain to bring something new. The author here invites us to use creativity, to
brainstorm. That is why I chose this quote.
I
agree with this quote because this quote can be applying to all of us. In our
life, most of the time we like and have to copy other people idea, style, and
language. By reading this, let us be exceptional by creating our own thing.
In
the present, I can relate this quote to people who want to be at the place of
other people. For example, some people see other people rich and they want to
become rich, therefore, they are ready to do every thong bad or god to reach
them objective. This quote wants us to be happy for what we already have and to
have some more courage to create new thing to move on in our life.
The
Spanish Singer," Manet, 1860
This
picture was design in 1874 by “Manet”. Édouard Manet born in January 23 1832 was a French painter. He was one of the first
19th-century artists to paint modern life. He was also one of the 19th
century artists changing his style of paint from Realism to Impressionism.
In
this piece, we can see a gentlemen sitting on a chair with a guitar on his hand
and singing. That gentleman looks Spanish. His costume also looks
contemporaries and he seem sitting in a studio.
Boating,"
Manet, 1874
This
picture was design in 1874 by “Manet”.
Édouard Manet born in January 23
1832 was a French painter. He was one of the first 19th-century artists to paint
modern life. He was also one of the 19th century artists changing
his style of paint from Realism
to Impressionism.
In
this picture, we can see a gentlemen and a lady on a small boat in the middle
of water. The background of the picture was created by filling its entirety
with water and the boat shape filling the picture only sense of space. The
picture was clear, that means the scene was happening in the morning. The woman’s dress was full of fluid
brushstrokes.
Republican
Automatons," George Grosz, 1920
George
Grosz was
born in Germany in 1893. Grosz began his studying by
attending a weekly drawing class. Later, to develop his skills, he stated
drawing drinking and battle scenes. He also studied
at Dresden
Academy of Fine Arts. And Berlin College of Arts and Crafts.
In November 1914 Grosz volunteered for military service and was given a
discharge after hospitalization for sinusitis in 1915. Around 1920s, his rename was widespread in Berlin because was his
caricature of drawings Berlin was perfect and nice. He became a prominent member of the Berlin Dada and New Objectivity group during
the Weimar Republic before he immigrated to the United States in 1933 with his family. Grosz
became a naturalized
citizen of the United States in 1938, and
settle down his residence at Bayside, New York. He taught at the Art Students League intermittently until 1955. After, he
to return to Berlin, where he died on July 6, 1959 from falling down a
flight of stairs after a night of drinking.
Republican
Automatons is one of his pictures where you see two persons with
rounded figures. They look like blank mannequins. The gears at the lower right
hold a flag and on his face we can see the number “12”. He has one peg and his
other peg was amputee.
The
other guy, we can only see his waist, his head is opened, and he only have one
arm and one elbow. Close to him, we can see a small machine and the gear armpit
is close to that machine. It looks like the small machine is kind of doing a
mechanical movement. Behind them, we can see the city with some
high building.
According
to me, George Grosz design that picture for the brave people who are going to
defend their country in war. For him, these people do not have a life: some of
them died, some of them get a part of they body amputated. It is a total
absence of life after that for them. We shall encourage them and blessed them
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